Tuesday, January 22, 2008
Daniel Hesidence was born on 1975 in Akron, Germany, Lives in Long Island City. bikesforsale, palmtopand. Daniel Hesidence used to work small, but his new paintings are large, and he handles size well. cornettrumpet. Most of them are entirely abstract, with vaporous whirlpools of color swirling over a misty ground. olanmills, accidentedetrabajo. If I were to free associate with comparisons, I might point to the humid, rainbow-shot atmospheres of Frederic Edwin Church's South American paintings or the pearlescent glazes of Art Nouveau ceramics, though neither takes account of the odd, dense, scabby darkness that drills into the center of some of these pictures. holidayinnhotels.
A few of them, however, collectively called ''Farm Paintings,'' offer clear references of their own. hacksignwallpapers. One, for example, depicts a horse, or rather the hind quarters of one; the front of the body seems to have evaporated. anorexicnation, tireblowout, spreadeagled. Another show a figure hovering in space, the body indistinct and translucent, the head a blur of light. columbiacrest. Whether this being is human or extraterrestrial is hard to say.
Daniel Hesidence approaches his practice as a philosophical totality. deepsee, pregnancydepression, hiheels. Situating himself as the inventor of an ever-expanding universe, Hesidence’s individual pieces provide mere glimpses into a creative infinite. ridgidtools. Composing his work in ‘volumes’, Hesidence’s paintings document a self-propelled evolution. airconditionersfair. Each canvas is distinct yet interconnected, holding its own place in his ‘cosmological’ timeline. kcchiefs, mathpuzzles, chronographwatch. Untitled is indicative of Hesidence’s stream of consciousness process. freepalmgame, katespadefragrance, ducttapecorset. Emerging from the blank white canvas, impassioned smears of colour form a halo around a suggested figure. predatorprop. Rather than defining an image, Hesidence uses the malleable qualities of paint to portray an emotional and psychological state. flushking, antiqueclocks. Distant and dream-like, the intricacies of sentient gesture form a physical representation of the intangibility and impermanence of thought. tristateuniversity, fungusgnats, holdyoudown. Sensations of velocity and beautified discord are omnipresent throughout Daniel Hesidence’s work. masterspinnerdegree, jenniferturner, purifiedterephthalicacid. Executed with a poetic sensitivity, his compositions convey both intimacy and turmoil. bobbybear, mysterybookclub, bloatingwoman. Through gesture, mark-making and an intuitive handling of his medium, his forms attempt to decode both personal and social consciousness. airasiaticketing. Hesidence approaches his work as a way to process collected information, to rationalise the instinctual visual dialogue through which we interpret our environment. bandageliquid, roadrunnerclub, stasistreatmentulcer. Through reassembling forms, images and impressions, Hesidence transcribes this language through his own experience and dialect, offering alternative perceptions and meanings based in creative possibility.
Conclusions:
Daniel Hesidence describes his work as a process of decoding consciousness. amethysthistory. Working from a memory bank of visual information his practice is based on an intuitive negotiation of imagination through tangible media, narrating the sluices of thought through spontaneous and unmediated painterly response. colorkinetics, brainstorm, stuccodetails. Often working on several canvases simultaneously, each image feeds into and progresses from a continuous dialogue. extremeinsertion. In Untitled, the form of a horse dissipates into a torrential abstracted field.
What to Do Next...
If you want any information about Daniel Hesidence or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/daniel_hesidence.htm
Angelina Gualdoni Biography and her Art work
Angelina Gualdoni was born on 1977 in San Francisco, California, Lives and works in Chicago and New York. capgame. Angelina Gualdoni's richly nuanced paintings, six of which made up her impressive solo debut "Demo," explore notions of progress and decline by presenting images of utopian architecture in a state of ruin.
These works, all acrylic and oil on canvas, document the demolition of the Horizons pavilion, a theme ride and multimedia exposition based on conceptualizations of the future. automobileused. Constructed in 1983 as part of Future World at Disney's Epcot Center in Orlando, it was destroyed in 1999 and later replaced by another tourist attraction. bronzepathwayprescription, mandarinclothing, spyingonneighbor. The pavilion, a circular steel-frame structure, is, for the artist, emblematic of the modernist faith in social transformation achieved through technological means. generaltools, harleydavidsonstock. It is also a symbol of failed dreams, of a future that never came to pass. fiestadinnerware, jamiefoxxspecial, nutbolt. Yet Gualdoni sees something recuperative amid the rubble, as evinced by the formal and conceptual contradictions at play within each of her carefully articulated compositions. antiquebathtubs, weddingsarong, tentacleattack. This idealistic edifice is depicted from slightly skewed vantage points that give the appearance of being both far and near, and in multiple stages of decomposition.
The mangled supports of a dilapidated structure are silhouetted against a chemical sky like wild brambles. arthurgolden, sitesuggesttarp. Midway belongs to a series of recent works depicting a world in constant change, prey to mankind's malevolent inattentiveness. compressoroil, crapshoot, westwoodstudioswikipedia. Abandoned buildings are eaten up by the ground on which they once proudly stood, subservient partners in a dialogue between the natural and man-made over which they have relinquished control. separatebackupnetwork, phoneautodialer. The role of chance is apparent in both the painting's subject matter and technique. careerinnanotechnology, pinerosin. Drips, spills and stains create a force of abstraction that threatens to engulf what remains of the representational imagery. muncieindiana, detroitlasik. Nocturne portrays an abandoned shopping mall in the American Midwest, found through the internet like those in Midway and The Slow Continuum, and visited by the artist in person. motivationalquote, lynnekoplitz, skateboardbedding. Unprofitable or subject to protracted legal dispute, they have been marginalised by society and neglected by all but the occasional pack of wild dogs or thrill-seeking adolescents. pigpregnancy, superswampertsl, middleagedladies. They are here presented as territories in limbo, modern ruins vulnerable to nature's entropic processes of recovery and repossession. evolvewebsite, musiccds, celticwriting. Beneath a dark, threatening sky, trees and weeds surround and fill the buildings exerting strain on their physical structure, while a slick of poured paint seeps like bloody entrails into the foreground.
Praca dos Tres Poderes is a large, imposing square at the heart of Brasilia, the political capital of Brazil. pregnantteen, valentinedaypackage, johnjohnson. Constructed between 1956 and 1960 to a design by visionary architect Oscar Niemeyer, and heralded as a landmark in contemporary urban planning, the city has come to be seen as a terrible utopian failure. plasticdrums. Functionless, soul-numbing, and inhospitable to human trafffic, it today stands as a dated, retro icon, and a symbol of the death of Modernism itself. medicarefeeschedule. Gualdoni perfectly captures this emptiness, portraying a vast expanse of barren sky above the deserted pedestrian plaza, empty but for the discarded trolley of a popcorn vendor. rollawaybed, russiancurrency, cynthiawood. The present, it is all too clear, is elsewhere, and the future is one of hushed uncertainty. pawnshoptampa, dachsundrescue, bikinitanlines. Working from her own photographic documentation, Gualdoni depicts suburban architecture in a state of melancholy abandonment. flytyingvise, armypersonnellocator. Reclaimed by nature, the structures assume a life of their own as remnants of failure and unfulfilled expectation. raghavsoconfused, grindersalestump, backhoecaterpillar. In The Slow Continuum, weeds and young trees in the open concrete atrium of an elevated building are bathed in light from a momentary cloudbreak, evoking feelings of nostalgia and otherworldliness and hinting, perhaps, at the possibility of a more positive future to come. lowriderrim. A similar sense of restrained but palpable emotion saturates those other works by the artist presented here.
Conclusions:
Angelina Gualdoni's richly nuanced paintings, six of which made up her impressive solo debut "Demo," explore notions of progress and decline by presenting images of utopian architecture in a state of ruin.
What to Do Next...
If you want any information about Angelina Gualdoni or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/angelina_gualdoni.htm
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